Classical Hand Positions (Grips)

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po owdman
Posts: 3
Joined: Tue Nov 30, 2004 7:01 am

Classical Hand Positions (Grips)

Post by po owdman »

I just ran across Stewart Olsens book:

T'ai Chi Thirteen Sword
A Sword Master's Manual
[sic]

Apparently it's been out for some time.

In it is a section called "Secrets of the Eight Sword Hands". This, showing eight hand positions (grips) for the various cuts and maneuvers of the form.

When I was studying sword with TT Liang (Olsen's teacher also) Master Liang provided me printed sheets of all the posture's names in sequence with some explanatory notes on technique, grip, compass direction, etc. for each posture.

Problem: The cover sheet from Master Liang for this material was a graphic showing the eight grips with their names:
(In pinyin here)
zhongyin
shaoyin
taiyin
laoyin
zhongyang
shaoyang
taiyang
laoyang

So what's the problem? The Graphic for the "Secrets" of the Eight Sword Hands in Stuart's book bears no resemblance to the name pairings in Master Liangs drawings. There is no zhongyin grip shown at all! (opening grip, jian-left hand, blade up, index finger toward pommel).

Master Liang died in 2002 (at 102 years old by the way). So I can no longer call him up.

Does anyone have any authoritative references to the classical sword hands definitions.

I do not doubt the teaching I received from Master Liang, but it's this kind of warping of information in new books that new students will read and will trust... erroneously.

It would be nice to have something other than my humble little photochopies (which I cherish) to refer new students to for conformation, clarification, and peace of mind regarding authenticity.

po
Louis Swaim
Posts: 1390
Joined: Mon Feb 12, 2001 7:01 am
Location: Oakland, CA

Post by Louis Swaim »

Greetings po,

The problem may actually be that there is no one authoritative reference for the sword grips. Even within the Yang tradition, there are various interpretations of the sword routine, its techniques and terminology. On page xi of Olsen’s book, he lists six old books as his sources for the material he presents, including titles by Li Zhaozheng, Lin Boshen, Chen Weiming, Chen Gong (Chen Yanlin), Qi Jingzhi, and Xiong Yanghe. Unfortunately, he does not make it clear exactly how he used these sources, and what materials came from which book. The Wu lineage evidently uses entirely different terminology for the sword grips (see Zhang Yun’s _The Art of Chinese Swordsmanship_, pp. 41-43). You might also have a look at Scott Rodell’s book, _Chinese Swordsmanship: The Yang Family Taiji Jian Tradition_.

Have you checked out SwordForum.com? If you post your questions there, you may get a better answer.

Take care,
Louis
john47109
Posts: 1
Joined: Sun Mar 08, 2015 8:06 am

Re: Classical Hand Positions (Grips)

Post by john47109 »

This is really a big problem since the source is not complete or rather not reliable. So hard to get the facts.
ChiDragon
Posts: 627
Joined: Mon Sep 28, 2015 10:00 pm
Location: Los Angeles, CA

Re: Classical Hand Positions (Grips)

Post by ChiDragon »

po owdman wrote:I just ran across Stewart Olsens book:

T'ai Chi Thirteen Sword
A Sword Master's Manual
[sic]

Apparently it's been out for some time.

In it is a section called "Secrets of the Eight Sword Hands". This, showing eight hand positions (grips) for the various cuts and maneuvers of the form.

When I was studying sword with TT Liang (Olsen's teacher also) Master Liang provided me printed sheets of all the posture's names in sequence with some explanatory notes on technique, grip, compass direction, etc. for each posture.

Problem: The cover sheet from Master Liang for this material was a graphic showing the eight grips with their names:
(In pinyin here)
zhongyin
shaoyin
taiyin
laoyin
zhongyang
shaoyang
taiyang
laoyang

So what's the problem? The Graphic for the "Secrets" of the Eight Sword Hands in Stuart's book bears no resemblance to the name pairings in Master Liangs drawings. There is no zhongyin grip shown at all! (opening grip, jian-left hand, blade up, index finger toward pommel).

..........

It would be nice to have something other than my humble little photochopies (which I cherish) to refer new students to for conformation, clarification, and peace of mind regarding authenticity.

po
Greetings!
I see where the problem was. These terms are the universal terms from the classics of Yijing. Actually, they are not the universal definitions for the positions of the hand grips. Unfortunately, these terms were widely used in many other fields. If they were not defined by the authors, then, who knows what they meant. One can only fanatically relate the terms to the things of interest at the time.
A deep discussion requires explicit details for a good comprehension of a complex subject.
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